For Tessa Lark, performing in Cincinnati on Thursday was “basically coming home.” The violinist, who has appeared with dozens of American orchestras and is a Naumburg winner, among other prestigious awards, made an impressive recital debut at Matinee Musicale.
Cincinnati — specifically, the University of Cincinnati College-Conservatory of Music — was a kind of second home during her early years. Between the ages of 11 and 18, her mother drove her two hours each way every Saturday from Richmond, KY, to work with master teacher Kurt Sassmannshaus in CCM’s Starling Preparatory String Project, a program for vastly talented kids. She made her Cincinnati Symphony Orchestra debut at age 16.
Now 29, she plays with an easy virtuosity. But she also charmed the audience at Anderson Center on Thursday with her down-to-earth personality and sense of humor as she spoke about each piece that she was performing with her pianist, Andrew Armstrong.Read More »
I’m sharing this note I received from CCM director of Jazz Studies Scott Belck:
The CCM Jazz Orchestra proud to present Stan Kenton’s “West Side Story” Sunday night, November 4th. The band will be paying homage to the thrilling music of the Stan Kenton Orchestra’s first Grammy Award winning album, all of the magnificent arrangements by Kenton stalwart Johnny Richards.
This concert will be dedicated to the memory of distinguished faculty member and Stan Kenton alumnus, John Von Ohlen.
Special guest conductor, Vaughn Wiester, a veteran of the Woody Herman Band and a Stan Kenton scholar, will also be presenting a Pre-Concert Lecture entitled: “Three Outsized Personalities.”
Belck says he expects this prestige event to sell quickly, so get your tickets soon.
Von Ohlen died early this month. Read more about his achievements in the jazz world in John Kiesewetter’s tribute on WVXU.
What: Stan Kenton’s “West Side Story”
CCM Jazz Orchestra
Scott Belck, music director
Vaughn Wiester, guest conductor
When: Sunday, November 4th at 7pm
CCM Jazz Orchestra , Scott Belck, musical director/conductor
As always, Cincinnati offers myriad choices of things to do in the fall season. Here are just a few options that you might want to try.
Cincinnati Ballet’s “Peter Pan,” with a charming musical score composed by Carmon DeLeone, honors the maestro in its performances this weekend for his unprecedented 50 years as the Ballet’s music director. The dancing crocodile is one of my personal favorites. Thursday through Sunday in Music Hall. Tickets: cballet.org or call 513-621-5282.
The great jazz bassist Christian McBride has shared the stage with jazz legends like Sonny Rollins, Chick Corea, Herbie Hancock or Pat Metheny; pop giants like James Brown, Sting andThe Roots; and classical artists like Kathleen Battle, Edgar Meyer or the Shanghai Quartet. He visits the Xavier Jazz Series, 8 p.m. Oct. 27 in Gallagher Theater on the XU campus. Tickets: xavier.edu/musicseries
Cincinnati native and rising conductor Isaac Selya has just returned from making his debut with the Deustche Kammerphilharmonie Bremen (yes, Paavo’s orchestra).
Next, he says, “I’m jumping straight into the next Queen City Opera program.” This one will be operatic selections featuring 11 emerging artists, accompanied by full orchestra. Eight of them trained at CCM; the other three trained at Indiana University, University of Kentucky, and Miami University in Oxford.
The concert will also feature the Xavier University Concert Choir,
singing in “Habanera” from Carmen. There will be a rare chance to hear the Council Chamber Scene from Simon Boccanegra, which ends with a soft entreaty for peace.
Just one performance: 3 p.m. Sunday, October 28 at the Sanctuary at Community Matters (2110 Saint Michael Street, 45204). To read the details on the repertoire and the performers click here.
Violinist Tessa Lark returns to the Queen City (where she trained at CCM) to star in Matinee Musicale’s 106th season, 2 p.m. Nov. 1 at the Anderson Center, 7850 Five Mile Road. Since her concerto debut with the Cincinnati Symphony at age 16, the Kentucky native is the recipient of a coveted Avery Fisher Career Grant and was silver medalist in the International Violin Competition of Indianapolis and winner of the 2012 Naumberg International Violin Competition. She recently acquired a very special new violin from the Stradivari Society of Chicago. Read about it here. Andrew Armstrong collaborates at the piano. Here’s the program:
Suite Italienne……………………Igor Stravisky (1882-1971)
Appalachian Fantasy…………….Tessa Lark
Sonata in A major………………..César Franck (1822-1890)
Sonata No. 9, Op. 47 “Kreutzer”.. Ludwig van Beethoven (1770-1827)
Visit matineemusicalecincinnati.org for tickets or purchase at the door.
Some of you have asked me where to find symphony reviews. Thanks to a grant from the Ann and Gordon Getty Foundation, they can be found on the Cincinnati Business Courier’s new Arts Front, which is free to read. (You may need to register for a FREE subscription).
Here’s the season so far:
‘Hamilton’ star Leslie Odom Jr. is electric in debut with Pops: There’s no question that there is life after “Hamilton” for Leslie Odom Jr., the Broadway star who played Aaron Burr in the hip-hop sensation until two years ago. The only question was whether the Tony- and Grammy-winning singer-actor would make it to Cincinnati in time for his Cincinnati Pops debut on Friday after Hurricane Florence canceled his flight. Review.
French program offers festive kickoff to CSO season: The French music, which demands both clarity and atmosphere, revealed that the orchestra is adjusting to Springer Auditorium’s new acoustics as it begins its second season in the hall following a transformational renovation. Review.
Joshua Bell dazzles, ‘Rite’ impresses in CSO’s season opener: It was vibrant, athletic playing. Bell leaned back, crouched, turned to the orchestra and mopped his brow between movements. The slow movement was warm and dark, and he smiled as he played its expressive themes. He soared brilliantly through the diabolical virtuosities of the finale, almost dancing along with the timpani beats that open the movement (Patrick Schleker). Review.
‘Dharma at Big Sur’ a mesmerizing experience in CSO’s all-American program: John Adams’ inspiration for the piece was Jack Kerouac’s description of the rugged California coastline at Big Sur as well as the beat poet’s interest in Buddhism. For this performance, the CSO also engaged video artist Adam Larsen to create projections that played on three screens above the orchestra. Review.
Read about this weekend’s soloist, principal violist Christian Colberg: CSO violist enjoying life after near-death scare. Click here for the story.
Legendary jazz drummer John Von Ohlen, “The Baron,” died on Oct. 3 following a long illness. He was 77.
He was a drummer, bandleader and recording artist. You could only marvel at his effortless technique, his musicality and his seamless communication with his fellow musicians. Small wonder he was the drummer of choice for Rosemary Clooney, Stan Kenton, Woody Herman, Tony Bennett, Benny Goodman, Mel Torme and Perry Como. He toured and recorded with Kenton for two years.
Von Ohlen was one of the last big band drummers of his era.
“Performing with and discussing music — and philosophy — with John Von Ohlen has been one of the great joys of my life,” said Rick VanMatre, saxophonist and former director of Jazz Studies at the University of Cincinnati College-Conservatory of Music. “Asking John to join the CCM jazz faculty in 1985 was the best decision we could have made for the students, the faculty, and the legacy of the Jazz Studies Program.”