Don Siekmann, immediate past president of the Society for the Preservation of Music Hall, had a big smile and a booming voice. A champion of Music Hall, he was most enthusiastic about the Mighty Wurlitzer Theater Organ, and established a concert series in the Ballroom, a popular series still sells out quickly.
Mr. Siekmann died on Nov. 14.
Born in 1938 in St. Louis, Mr. Siekmann was the longtime managing partner of Arthur Anderson & Co.. His involvement with Cincinnati arts and civic groups was widespread. Besides, SPMH, Mr. Siekmann served as president of the Greater Cincinnati Arts and Education Center (the organization led by Erich Kunzel that spearheaded the new School for Creative and Performing Arts) and was a Cincinnati United Way Campaign chair.
He is survived by his wife of 52 years, Linda, and son Brian, as well as a sister, Ruth Ann Yorg and two grandchildren.
Visitation is 5 pm to 8 pm Nov. 19 at Spring Grove Funeral Homes, 4389 Spring Grove Ave. Services are at 10:30 am Nov. 20 at St. Mark’s Lutheran Church, Milford, preceded by visitation at 9 am.
As always, Cincinnati offers myriad choices of things to do in the fall season. Here are just a few options that you might want to try.
Cincinnati Ballet’s “Peter Pan,” with a charming musical score composed by Carmon DeLeone, honors the maestro in its performances this weekend for his unprecedented 50 years as the Ballet’s music director. The dancing crocodile is one of my personal favorites. Thursday through Sunday in Music Hall. Tickets: cballet.org or call 513-621-5282.
The great jazz bassist Christian McBride has shared the stage with jazz legends like Sonny Rollins, Chick Corea, Herbie Hancock or Pat Metheny; pop giants like James Brown, Sting andThe Roots; and classical artists like Kathleen Battle, Edgar Meyer or the Shanghai Quartet. He visits the Xavier Jazz Series, 8 p.m. Oct. 27 in Gallagher Theater on the XU campus. Tickets: xavier.edu/musicseries
Cincinnati native and rising conductor Isaac Selya has just returned from making his debut with the Deustche Kammerphilharmonie Bremen (yes, Paavo’s orchestra).
Next, he says, “I’m jumping straight into the next Queen City Opera program.” This one will be operatic selections featuring 11 emerging artists, accompanied by full orchestra. Eight of them trained at CCM; the other three trained at Indiana University, University of Kentucky, and Miami University in Oxford.
The concert will also feature the Xavier University Concert Choir,
singing in “Habanera” from Carmen. There will be a rare chance to hear the Council Chamber Scene from Simon Boccanegra, which ends with a soft entreaty for peace.
Just one performance: 3 p.m. Sunday, October 28 at the Sanctuary at Community Matters (2110 Saint Michael Street, 45204). To read the details on the repertoire and the performers click here.
Violinist Tessa Lark returns to the Queen City (where she trained at CCM) to star in Matinee Musicale’s 106th season, 2 p.m. Nov. 1 at the Anderson Center, 7850 Five Mile Road. Since her concerto debut with the Cincinnati Symphony at age 16, the Kentucky native is the recipient of a coveted Avery Fisher Career Grant and was silver medalist in the International Violin Competition of Indianapolis and winner of the 2012 Naumberg International Violin Competition. She recently acquired a very special new violin from the Stradivari Society of Chicago. Read about it here. Andrew Armstrong collaborates at the piano. Here’s the program:
Suite Italienne……………………Igor Stravisky (1882-1971)
Appalachian Fantasy…………….Tessa Lark
Sonata in A major………………..César Franck (1822-1890)
Sonata No. 9, Op. 47 “Kreutzer”.. Ludwig van Beethoven (1770-1827)
Visit matineemusicalecincinnati.org for tickets or purchase at the door.
Some of you have asked me where to find symphony reviews. Thanks to a grant from the Ann and Gordon Getty Foundation, they can be found on the Cincinnati Business Courier’s new Arts Front, which is free to read. (You may need to register for a FREE subscription).
Here’s the season so far:
‘Hamilton’ star Leslie Odom Jr. is electric in debut with Pops: There’s no question that there is life after “Hamilton” for Leslie Odom Jr., the Broadway star who played Aaron Burr in the hip-hop sensation until two years ago. The only question was whether the Tony- and Grammy-winning singer-actor would make it to Cincinnati in time for his Cincinnati Pops debut on Friday after Hurricane Florence canceled his flight. Review.
French program offers festive kickoff to CSO season: The French music, which demands both clarity and atmosphere, revealed that the orchestra is adjusting to Springer Auditorium’s new acoustics as it begins its second season in the hall following a transformational renovation. Review.
Joshua Bell dazzles, ‘Rite’ impresses in CSO’s season opener: It was vibrant, athletic playing. Bell leaned back, crouched, turned to the orchestra and mopped his brow between movements. The slow movement was warm and dark, and he smiled as he played its expressive themes. He soared brilliantly through the diabolical virtuosities of the finale, almost dancing along with the timpani beats that open the movement (Patrick Schleker). Review.
‘Dharma at Big Sur’ a mesmerizing experience in CSO’s all-American program: John Adams’ inspiration for the piece was Jack Kerouac’s description of the rugged California coastline at Big Sur as well as the beat poet’s interest in Buddhism. For this performance, the CSO also engaged video artist Adam Larsen to create projections that played on three screens above the orchestra. Review.
Read about this weekend’s soloist, principal violist Christian Colberg: CSO violist enjoying life after near-death scare. Click here for the story.
Mary Ellyn Hutton will be remembered as a journalist with unflagging dedication to Cincinnati’s musical arts. The longtime classical music critic for the Cincinnati Post continued to cover the classical scene for more than a decade after the demise of Cincinnati’s afternoon newspaper in 2007.
She died surrounded by her family on May 28 after a battle with lung cancer. The Hyde Park resident was 77.Read More »
The May Festival opened last night with a stunning performance of Verdi’s Requiem conducted by Eun Sun Kim — the first woman to lead the Cincinnati May Festival. Watch for a review later today at bizjournals.com/cincinnati/topic/arts.
And below are links to other preview stories that I’ve been writing for The Business Courier, part of their new initiative to provide arts coverage for our region: