By now you’ve read, or you’ve heard about, Metropolitan Opera conductor James Levine’s fall from grace. Yesterday, the Metropolitan Opera fired the maestro, a Cincinnati native, citing “credible evidence” for sexual abuse allegations that go back decades.
Levine was one of the most powerful people in the opera world. He was revered as a conductor who rivaled legends such as Herbert von Karajan and Leonard Bernstein. In Cincinnati, Levine’s talent is a part of local lore. He made his Cincinnati Symphony Orchestra debut as piano soloist at age 10 under Thor Johnson. As a pre-teen, he would sit for hours at Cincinnati Opera rehearsals at the zoo, inhaling opera scores and imitating Italian conductor Fausto Cleva.
He was music director of the Cincinnati May Festival in 1974, before he turned 30, and served for five seasons. (The May Festival has canceled his planned appearance this season.)
In Cincinnati, he conducted his first performances of Wagner operas Lohengrin, Tannhauser and Parsifal, in concert version for the May Festival. Levine hand-picked his successor, James Conlon.
He was a personal champion of opera soprano Kathleen Battle, a graduate of the University of Cincinnati College-Conservatory of Music.
And his mentor from an early age into adulthood was Walter Levin, the late first violinist of the LaSalle Quartet, the distinguished former quartet-in-residence at CCM.
One of Levine’s honorary doctorates was from the University of Cincinnati.
I’m reposting the Met’s entire statement here:Read More »
Korea-born conductor Eun Sun Kim will make her Cincinnati May Festival debut on May 18, replacing James Levine, who was previously announced to open the season. The Cincinnati May Festival made the announcement on Thursday.
She will be the first woman to lead the festival in its 145-year history. The program is unchanged. Kim will lead the May Festival Chorus and the Cincinnati Symphony Orchestra in a performance of Verdi’s Messa da Requiem at Music Hall. Read More »
James Conlon, May Festival music director laureate, returned to conduct Mahler’s Symphony No. 1 with the CSO. Photo provided/Lee Snow
James Conlon raised his arms to begin Gustav Mahler’s Symphony No. 1, “Titan,” and the musicians of the Cincinnati Symphony Orchestra sounded the long, quiet ‘A’ that opens the work. From that pure tone, the woodwinds evoked the gradual awakenings of nature, trumpet fanfares sounded in the distance and every note had color and meaning.
It was a spellbinding start to the hour-long journey that is Mahler. Through it all, the warmth of Conlon’s interpretation was palpable.
Conlon’s masterful reading of Mahler’s First Symphony on Saturday was just the antidote for a cold, snowy weekend when a blustery winter storm bore down on the city. Some brave souls turned out on Friday despite the dire forecasts. On Saturday, with the storm past, Music Hall was filled to the rafters.Read More »
The Cincinnati May Festival has announced that its community sing event, scheduled for Saturday Jan. 13 in Music Hall, has been postponed due to the weather. The event will now take place on Jan. 20.
Here are the details:
Have you always wanted to sing with the world-famous May Festival Chorus? The chorus is hosting a free Community Sing at Music Hall with conductor Robert Porco and the May Festival Chorus, now slated for Jan. 20, 10 a.m. to 1 p.m. in the chorus rehearsal hall at Music Hall.
The May Festival seeks singers of all voice types to join an all-new May Festival Community Chorus, a volunteer ensemble that will perform with the May Festival Chorus and the Cincinnati Symphony Orchestra in a complete performance of Handel’s Messiah on May 26, 2018. Read More »
James Conlon was back in Cincinnati, and he was beaming. Before sitting down to offer his thoughts on Gustav Mahler’s Symphony No. 1, “The Titan,” which he will conduct this weekend with the Cincinnati Symphony Orchestra, he offered a whirlwind tour of the new, somewhat spare dressing rooms in the old Green Room area backstage at Music Hall.
“It’s wonderful to see my old friends. It’s wonderful to see the orchestra,” he said, clearly touched to be back in the hall where he worked for so long. Music Hall closed for a 16-month renovation after his final concert as May Festival Music director in 2016.Read More »
If you’ve gone to the Cincinnati Symphony, Pops or Cincinnati Ballet at Music Hall this fall, you’ve likely discovered that parking isn’t what it used to be. Here’s how to BE PREPARED for the new changes since Music Hall reopened after its 16-month renovation:
Parking for the CSO: In order to park in Washington Park Garage for the CSO, you need to purchase a $15 ticket ahead of time in order to get in. And sometimes those tickets are sold out. (That garage only holds 450 spaces, and some – but not all — of those are reserved on CSO concert nights.)Read More »
Baby it’s cold outside – but Winter is the season when the arts heat up. In the coming weeks, there are many tempting concerts and events to warm you up. So, bundle up, because there are a few that you won’t want to miss.
Jan. 11-12: Canticle. The Vocal Arts Ensemble reprises Kile Smith’s gorgeous “Canticle,” a setting of the biblical Song of Solomon (or Song of Songs), 7:30 p.m. Jan. 11 and 12 in Memorial Hall. Tickets start at $25. 513-381-3300, vaecinci.org.
Jan. 12-13: Conlon returns. James Conlon, music director laureate of the Cincinnati May Festival, returns to conduct the CSO in Schubert’s Rosamunde Overture and Mahler’s Symphony No. 1. Violinist Jennifer Frautschi is soloist in Mozart’s Violin Concerto No. 3. 8 p.m. Friday and Saturday in Music Hall. Tickets: 513-381-3300, cincinnatisymphony.org.
Jan. 19: Star soloist at Moveable Feast. CCM’s biggest fundraiser, this year on Friday, Jan. 19, will feature a performance by alumnus and star trumpeter Brian Newman, who will solo with the CCM Jazz Orchestra as the “opening course” in the CCM Village. Read More »