Next Sunday, June 23, an impressive lineup of local classical musicians will come together for a concert to benefit the Literacy Council of Clermont & Brown Counties. Reach for the Stars will take place at 4 p.m. June 23 at Knox Presbyterian Church in Hyde Park.
Spearheaded by Suzanne Bona, host of the nationally broadcast public radio program “Sunday Baroque” and an accomplished musician, the concert aims to raise awareness and funds for adult literacy.
“With the upcoming 50th Anniversary of the Apollo 11 moon landing, we thought it would be fun to feature music with astronomical themes such as Holst’s ‘Mars’ and Beethoven’s ‘Moonlight’ Sonata,” said Bona. “Plus, Reach for the Stars is what the clients of the Literacy Council do every day as they open up the world of possibilities reading can bring.”Read More »
It’s amazing that Carl Maria von Weber’s 1821 opera, “Der Freischütz,” is rarely performed in the United States. The early German romantic opera – which Queen City Opera loosely translated as “The Magic Bullets,” has a rich orchestral score, wonderful choruses and arias and a supernatural story. It’s easy to see how it paved the way to the German opera that was to come, especially that of Richard Wagner.
Isaac Selya, founder and artistic director of Queen City Opera and conductor for the production, told me in an interview for the Cincinnati Business Courier that the opera has only been performed once before in Ohio, by Cincinnati Opera in 1933. According to Operavore, the Met last performed this early romantic gem in 1972.
On Sunday, I joined many other opera lovers who were curious to see and hear Weber’s under-appreciated work, which was staged by Rebecca Herman. Read More »
Awadagin Pratt’s 2019 Art of the Piano Festival will pair legendary soloists with young artists from around the globe starting this weekend, May 25 through June 15 at the University of Cincinnati College-Conservatory of Music.
The ninth annual festival will feature 15 renowned artists in recitals and conducting public master classes with rising stars. Besides Pratt, a CCM faculty member, the festival includes the return of legendary pianist Leon Fleisher, as well as Christopher O’Riley, Alexander Korsantia, Boris Berman, Jura Margulis, Maria Murawska and Vladimir Feltsman.
There are also recitals by young artists. The festival will include pre-concert gatherings with food, wine, and talks with the artists and talk-backs with the artists at the close of their concerts.Read More »
The distinguished German-born conductor Michael Gielen, who led the Cincinnati Symphony Orchestra in the 1980s, died of pneumonia on March 8 at his home in Mondsee, Austria. He was 91.
Gielen was appointed the 10th music director of the Cincinnati Symphony Orchestra, serving from 1980 to 1986. He succeeded music adviser Walter Susskind, who stepped in for two seasons following the untimely death of Thomas Schippers in 1977.
An ardent champion of contemporary music, Gielen was one of the most important conductors of his generation.
As a music director, Gielen’s preference for programming the music of the Second Viennese School didn’t always endear him to Cincinnati audiences. But during his tenure, his discipline and exceptional ear became legendary, and the orchestra achieved new heights as a polished performing ensemble.
“Many felt that, through no fault of its own, the orchestra had lost some of its technical edge. Though his tenure was a brief six years, Michael’s strong, consistent artistic leadership restored the CSO’s luster and musical discipline,” said David Loebel, associate conductor of orchestras at the New England Conservatory, who was Gielen’s assistant conductor during his tenure.
“Many bristled at his demanding programs, which were meant to challenge and enlighten rather than merely entertain,” Loebel said. “Those who attended one of his CSO concerts expecting to relax and have pretty sounds wash over them were bound to be disappointed. Those willing to be exposed to worthwhile music they had never heard and to discover new things about the music they already knew, usually left exhilarated.”Read More »
He’s being called “a young Pavarotti.” Rising star tenor Pene Pati, who turned heads at San Francisco Opera when he sang the Duke in Verdi’s “Rigoletto” while still an Adler Fellow in the 2016-17 season, will make his Cincinnati debut in a recital this Sunday.
His concert takes place at 3 p.m. March 3 in Memorial Hall, Over-the-Rhine.
Pati’s program includes “Après un rêve” and “Poème d’un jour” by Gabriel Fauré, “Oh quand je dors” by Franz Liszt and songs by Richard Strauss and Francesco Paolo Tosti.
Ronny Michael Greenberg, who is on the staff at San Francisco Opera, collaborates at the piano.
Pati, who was born in Samoa and raised in New Zealand, has won a fistful of major prizes: Second and Audience Prize at Operalia (2015), Second Prize at Neue Stimmen (2015), First Prize at the Montserrat Caballé International Aria Competition (2014), as well as the prestigious Joan Sutherland and Richard Bonynge ‘Bel Canto’ Award (2012).
In the words of Richard Bonygne at the Sydney Opera House: “This young man has the voice from God.”
Pati is being presented by Matinee Musicale Cincinnati. Tickets: $25; $10 students with ID. Memorial Hall Box Office: 513-977-8838, or visit matineemusicalecincinnati.org.
For the past week, there have been minute-by-minute reports on how the new $250 million stadium for FC Cincinnati will impact Music Hall, its tenants, and Cincinnati Ballet, which has its headquarters at Liberty and Central Parkway.
I’m publishing the statement from arts groups that arrived in my inbox today. For more, Chris Wetterich at the Business Courier is covering all the news at bizjournals.com/cincinnati. To read the latest news about City Council postponing its vote on FC Cincinnati’s development plan, click here.
JOINT STATEMENT FROM CINCINNATI ARTS ASSOCIATION, MUSIC HALL RESIDENT PERFORMING ARTS ORGANIZATIONS, and MUSIC HALL REVITALIZATION COMPANY
This morning the Arts Organizations entered into an agreement of cooperation and support with FC Cincinnati regarding specifically the relationship between the new stadium and Music Hall. The Parties in regard to Music Hall and Stadium Operations have agreed to work together as good neighbors and in good faith on concerns related to noise, parking, traffic, and scheduling. Our collective goal is to minimize the number of occasions where performances at Music Hall occur at the same time as FC Cincinnati home games, and to minimize the impact of the stadium’s noise on Music Hall on the occasions when there are simultaneous events.
Specifically, this will include minimizing the stadium’s noise impact on Music Hall through stadium design and other sound mitigation measures at Music Hall. Regarding parking, if FC Cincinnati manages the Town Center Garage on game days starting in March of 2021 per an agreement with the City of Cincinnati, the team has committed to making a substantial amount of parking in that garage available to audience members attending performances at Music Hall when games overlap with performances. To be clear, this agreement does not speak to the ongoing negotiations between Cincinnati Ballet and FCC regarding the Ballet Center.
Covenant-First Presbyterian Church in downtown Cincinnati is inaugurating its first annual organ festival in partnership with the University of Cincinnati College-Conservatory of Music, March 3 and 4 at the Elm Street church.
The church will host a free recital at 4 p.m. on Sunday, March 3, with renowned organist Andrew Henderson. A public master class will follow on March 4.
Currently director of music and organist at Madison Avenue Presbyterian Church in New York City, Dr. Henderson is chair of the organ department at the Manhattan School of Music and organ instructor at Teachers College, Columbia University. He is also the associate organist at New York City’s Temple Emanu-El, one of the world’s largest Jewish houses of worship.
The native of Thorold, Ontario, received degrees from Cambridge, Yale University and Juilliard.
“Andrew Henderson is an acclaimed organist who works as a performer, teacher, conductor, and musician of churches and synagogues in many of Manhattan’s most distinguished venues. His diverse program will highlight the color, depth and power of the organ at Covenant-First Presbyterian Church,” said Michael Unger, professor of organ and harpsichord at CCM. “He is an engaging, dynamic and thoughtful musician.”
Henderson will perform on the church’s historic, century-old Austin Pipe Organ. Built by the Austin Organ Co. of Hartford, Connecticut and installed in 1915, it was considered one of the largest organs in this part of the country, with 51 stops and more than 3,100 pipes.
His program –music of J.S. Bach, Bruhns, Sowerby and Mulet — includes works by composers with connections to his current post at New York’s Madison Avenue Presbyterian Church.
On Monday, 10 a.m. to noon, March 4, Henderson will lead a masterclass/workshop that will showcase the talents of CCM students in Unger’s studio. The event will focus on topics for church musicians.
Both events are free and open to the public at Covenant-First Presbyterian Church, 717 Elm Street, downtown.
The church will also sponsor a dinner at Moerlein Lager House for Dr. Henderson, Dr. Unger and CCM organ students.
The Austin Pipe Organ was given by Mrs. W. W. Seely in memory of her husband, Dr. William Wallace Seely. Following a fire in April, 1960, the organ was completely restored by Charles D. and James Hildreth and has since been updated and renovated in 1974, 1999, and 2000.
For more information, visit covfirstchurch.org; 513-621-4144.