It took a man with a vision to see the beauty behind the dilapidated and abandoned Sorg Opera House in Middletown. Now, as John Kiesewetter reports this morning, Chuck Miller has resigned as president of the Sorg Opera Revitalization Group (SORG) to become the new executive director of the historic “State Movie Palace of Kansas,” the Fox Theatre in Hutchinson. Wife Denise Brodsky has also resigned her position on the board.
Current board members Roger Daniels and Chris Riva are stepping in to fill roles, although his successor has not been decided.
Here’s my story from about a year ago of how Chuck and his devoted board have been working — extremely hard — to restore the Hannaford-built theater to its former grandeur.
I’m posting a few memories of visiting the Sorg while these dedicated preservationists were at work restoring and programming a series of concerts in the hall. By the way, the acoustics are wonderful. And, for people who remember Music Hall’s old seats, you can revisit them up in Middletown.
When Canadian tenor Frédéric Antoun had to withdraw as Romeo in Cincinnati Opera’s “Romeo and Juliet” (for personal reasons) two weeks before rehearsals were to begin, artistic director Evans Mirageas knew he had a problem.
“Romeo is a notoriously difficult role, and the opera isn’t performed as often as the other warhorses, so the pool of singers who would know the role is small,” says Mirageas.
Besides that, there was no time to secure an artist visa for an international singer — a process that can take months.
“Luckily,” says Mirageas, “we found Matthew, a very gifted young artist who had just sung the role in his final year at the Academy of Vocal Arts.”
The 27-year-old American tenor Matthew White will make his debut opposite Cincinnati favorite Nicole Cabellas Juliet, in her sixth appearance with the company.
Had Cincinnati Opera not called, the tenor’s summer plans included returning to his tiny hometown in Virginia’s Shenandoah Valley, practicing for upcoming roles and working on his Volkswagen GTI. Or he might have waxed up his surfboard, as he has a surfboard business with an international client list.
He’s won a fistful of prizes: Grand Prize of the Gerda Lissner International Vocal Competition, 1st place in the Deborah Voigt International Vocal Competition, 2nd place in the Metropolitan Opera National Council Auditions Mid-Atlantic region, Grand Prize in the Mario Lanza Vocal Competition, and he was the recipient of the Alfonso Cavaliere Award.
In his future, he’ll debut leading roles with The Dallas Opera, Edmonton Opera, and Tulsa Opera following his Cincinnati debut.
“It’s a major opportunity for him, in what could prove to be a breakout role. Cincinnati gets to see him first!” says Mirageas.
“Romeo and Juliet” will be presented at Music Hall on June 27 and 29 at 7:30 p.m. Tickets are available through the Cincinnati Opera Box Office at (513) 241-2742 or cincinnatiopera.org.
Watch for my review of tomorrow night’s performance on the Arts Front at bizjournals.com/cincinnati.
Click here to read the review for “The Marriage of Figaro,” which opened the season.
Next Sunday, June 23, an impressive lineup of local classical musicians will come together for a concert to benefit the Literacy Council of Clermont & Brown Counties. Reach for the Stars will take place at 4 p.m. June 23 at Knox Presbyterian Church in Hyde Park.
Spearheaded by Suzanne Bona, host of the nationally broadcast public radio program “Sunday Baroque” and an accomplished musician, the concert aims to raise awareness and funds for adult literacy.
“With the upcoming 50th Anniversary of the Apollo 11 moon landing, we thought it would be fun to feature music with astronomical themes such as Holst’s ‘Mars’ and Beethoven’s ‘Moonlight’ Sonata,” said Bona. “Plus, Reach for the Stars is what the clients of the Literacy Council do every day as they open up the world of possibilities reading can bring.”Read More »
It’s amazing that Carl Maria von Weber’s 1821 opera, “Der Freischütz,” is rarely performed in the United States. The early German romantic opera – which Queen City Opera loosely translated as “The Magic Bullets,” has a rich orchestral score, wonderful choruses and arias and a supernatural story. It’s easy to see how it paved the way to the German opera that was to come, especially that of Richard Wagner.
Isaac Selya, founder and artistic director of Queen City Opera and conductor for the production, told me in an interview for the Cincinnati Business Courier that the opera has only been performed once before in Ohio, by Cincinnati Opera in 1933. According to Operavore, the Met last performed this early romantic gem in 1972.
On Sunday, I joined many other opera lovers who were curious to see and hear Weber’s under-appreciated work, which was staged by Rebecca Herman. Read More »
Awadagin Pratt’s 2019 Art of the Piano Festival will pair legendary soloists with young artists from around the globe starting this weekend, May 25 through June 15 at the University of Cincinnati College-Conservatory of Music.
The ninth annual festival will feature 15 renowned artists in recitals and conducting public master classes with rising stars. Besides Pratt, a CCM faculty member, the festival includes the return of legendary pianist Leon Fleisher, as well as Christopher O’Riley, Alexander Korsantia, Boris Berman, Jura Margulis, Maria Murawska and Vladimir Feltsman.
There are also recitals by young artists. The festival will include pre-concert gatherings with food, wine, and talks with the artists and talk-backs with the artists at the close of their concerts.Read More »
The distinguished German-born conductor Michael Gielen, who led the Cincinnati Symphony Orchestra in the 1980s, died of pneumonia on March 8 at his home in Mondsee, Austria. He was 91.
Gielen was appointed the 10th music director of the Cincinnati Symphony Orchestra, serving from 1980 to 1986. He succeeded music adviser Walter Susskind, who stepped in for two seasons following the untimely death of Thomas Schippers in 1977.
An ardent champion of contemporary music, Gielen was one of the most important conductors of his generation.
As a music director, Gielen’s preference for programming the music of the Second Viennese School didn’t always endear him to Cincinnati audiences. But during his tenure, his discipline and exceptional ear became legendary, and the orchestra achieved new heights as a polished performing ensemble.
“Many felt that, through no fault of its own, the orchestra had lost some of its technical edge. Though his tenure was a brief six years, Michael’s strong, consistent artistic leadership restored the CSO’s luster and musical discipline,” said David Loebel, associate conductor of orchestras at the New England Conservatory, who was Gielen’s assistant conductor during his tenure.
“Many bristled at his demanding programs, which were meant to challenge and enlighten rather than merely entertain,” Loebel said. “Those who attended one of his CSO concerts expecting to relax and have pretty sounds wash over them were bound to be disappointed. Those willing to be exposed to worthwhile music they had never heard and to discover new things about the music they already knew, usually left exhilarated.”Read More »
He’s being called “a young Pavarotti.” Rising star tenor Pene Pati, who turned heads at San Francisco Opera when he sang the Duke in Verdi’s “Rigoletto” while still an Adler Fellow in the 2016-17 season, will make his Cincinnati debut in a recital this Sunday.
His concert takes place at 3 p.m. March 3 in Memorial Hall, Over-the-Rhine.
Pati’s program includes “Après un rêve” and “Poème d’un jour” by Gabriel Fauré, “Oh quand je dors” by Franz Liszt and songs by Richard Strauss and Francesco Paolo Tosti.
Ronny Michael Greenberg, who is on the staff at San Francisco Opera, collaborates at the piano.
Pati, who was born in Samoa and raised in New Zealand, has won a fistful of major prizes: Second and Audience Prize at Operalia (2015), Second Prize at Neue Stimmen (2015), First Prize at the Montserrat Caballé International Aria Competition (2014), as well as the prestigious Joan Sutherland and Richard Bonynge ‘Bel Canto’ Award (2012).
In the words of Richard Bonygne at the Sydney Opera House: “This young man has the voice from God.”
Pati is being presented by Matinee Musicale Cincinnati. Tickets: $25; $10 students with ID. Memorial Hall Box Office: 513-977-8838, or visit matineemusicalecincinnati.org.