This is a reminder to readers that many of my reviews can be found at bizjournals.com/cincinnati/topic/arts — thanks to a new initiative to cover the arts by the Cincinnati Business Courier and a grant from the Rubin Institute for Music Criticism, San Francisco Conservatory of Music, and Ann and Gordon Getty Foundation.
This was my favorite photo of Jackie, taken at exactly this time of year — opera season — in 2005. You can see Jackie’s exuberance at being there. She did everything exuberantly. She approached her cancer and the final months of her life fearlessly. To echo many of those who knew what she went through, she was the bravest person I know.
Mary Ellyn Hutton will be remembered as a journalist with unflagging dedication to Cincinnati’s musical arts. The longtime classical music critic for the Cincinnati Post continued to cover the classical scene for more than a decade after the demise of Cincinnati’s afternoon newspaper in 2007.
She died surrounded by her family on May 28 after a battle with lung cancer. The Hyde Park resident was 77.Read More »
The Cincinnati May Festival has announced that the celebrated tenor Matthew Polenzani is ill and unable to perform in Verdi’s Requiem to open the festival this Friday.
Bryan Hymel will replace Polenzani as tenor soloist on May 18. Hymel regularly appears with the Metropolitan Opera, Covent Garden, Opéra National de Paris, and La Scala.
He has performed the roles of Don José in Carmen, Pinkerton in Madama Butterfly and as tenor soloist in the Verdi Requiem. He has been the recipient of the opera world’s most prestigious awards including the Olivier Award, the Metropolitan Opera’s Beverly Sills Artist Award, and the George Thill Prize, and has been the top prize winner in the Lissner, Albanese, Zachary, Gari and Metropolitan Opera National Council competitions.
Rising star Eun Sun Kim will conduct the opening night performance, replacing James Levine.
Violinist James Ehnes’ inspired playing in the Brahms Violin Concerto with the Cincinnati Symphony Orchestra over the weekend can only be described as masterful. The golden sound that he achieved on his 1715 Stradivarius violin was stunning. In Saturday’s concert, it was equally fascinating to hear Ehnes reveal the Cincinnati connection behind his $8 million instrument.Read More »
Harry Bicket’s Baroque concert of Handel and Rameau brought a breath of fresh air to the Cincinnati Symphony Orchestra over the weekend.
A glance at the program told the story of how rare it was to hear these Baroque gems in Music Hall. Every single piece on the program – even Handel’s Concerto Grosso Op. 6, No. 11 – was being performed by the orchestra for the first time.
And there was no better partner in this repertoire than the superb British countertenor Iestyn Davies, who made his Cincinnati debut in arias from Handel operas. Davies is one of a new generation of countertenors now making international waves. Read More »
The Cincinnati May Festival announced today a two-year contract extension for Robert Porco, Director of Choruses, through the end of the 2020 May Festival.
Porco has served in that role since 1989, preparing the volunteer May Festival Chorus for hundreds of performances for the festival, as well as for concerts with the Cincinnati Symphony Orchestra and the Cincinnati Pops.Read More »